of the two remaining leaks on the seabed. This containment method has never before been attempted at such a depth. Efforts to close valves on a failed blowout preventer with underwater robots are abandoned.
18 2010. 5. 9 BP says it might try to plug the undersea leak by pumping materials such as shredded tires and golf balls into the well at high pressure, a method called a "junk shot".
Plug it, unplug it Dont strain
I love you, MaryJane [ Pounding on Door]
What the fuck is your problem? No dishwee-saya.
- Me bumbaclot johnson no workin, see? - What?
My raasclot true gashman and me dick wont stay tick, see?
I think I got somethin for that. Hold on.
Aint what you want, baby Girl, wake your ass up.
But what you need, baby Damn right you aint sleep.
Not what you want, baby
Its what
dome. LETTERING
along the side tells us this is the "SHINKAI 90000."
COMPUTER PRINTED across the SCREEN are the WORDS:
ASSIGNMENT: GEOLOGICAL EXPLORATION.
SUB-OCEANIC SEISMIC RESEARCH.
TECTONIC PLATE SURVEILLANCE.
ADDENDUM: ABOUT TO BREAK THE WORLDS RECORD
FOR THE DEEPEST DIVE...
3 INT. SHINKAI 9000 - NIGHT
The JAPANESE CAPTAIN watches a DLD laser tracking system and barks
one-word questions to h
On a distant, rainy hill, the old Frankenstein castle, as we knew and loved it, is illuminated by ANOTHER BOLT OF LIGHTNING.
MUSIC: AN EERIE TRANSYLVANIAN LULLABY begins to PLAY in the background.
ANOTHER ANGLE
As we MOVE SLOWLY CLOSER to the castle. It is completely dark, except for one room - a study in the corner of the castle - which is only lit by candles.
Now we are just outside a rain-spla
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
All around this is an almost totally black screen. Now, as the camera moves slowly towards the window which is almost a postage stamp in the frame, other forms appear; barbed wire, cyclone fencing, and now, looming up against an early morning sky, enormous iron grille work. Camera travels up what is now shown to be a gateway of gigantic proportions and holds on the top of it - a huge initial "K"
The remorseless drought had lasted now for ten million years, and would not end for another million. The reign of the terrible lizards had long since passed, but here on the continent which would one day be known as Africa, the battle for survival had reached a new climax of ferocity, and the victor was not yet in sight. In this dry and barren land, only the small or the swift or the fierce could
A silver throwing-bird is chosen from a weapons array. Gloved hands lift a black eye mask. Tunic armor CLICKS shut, turning to reveal the chest-borne insignia of a Robin.
INT. BATCAVE
BATMAN - CLOSE
Emerges from his costume vault.
WIDER
Deeper excavation has doubled the size of the cavern.
New state-of-the-art computing systems flash. Surveillance screens monitor news and police FREQUENCIES. Crim
H A N N I B A L
Screenplay
by
Steven Zaillian
Based on the Novel
by
Thomas Harris
Revision
February 9, 2000
INT. PANEL VAN - DAY
Clarice Starling is dead, laid out in fatigues across a bench
in the back of a ratty, rattling undercover van. Three other
agents sit perched on the opposite bench, staring at her
lifeless body.
BURKE
How can she sleep at a time like this?
BRIGHAM
Shes on a jump-out squ
SPHERE
BY
PAUL ATTANASIO
Based on the novel by
Michael Crichton
BARRY LEVINSON VERSION SHOOTING SCRIPT
FADE IN:
EXT. OCEAN FLOOR - DAY
BEGIN TITLES.
MOVING AMONG the hallucinatory variety of creatures --
barbaric, distorted, sublime -- that haunt the ocean floor.
All but unknown to man except in the deep preconscious brain
that houses the family album of the race... Where we remember
that they ar